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Practicas Transdisciplinares

Art disciplines can be seen from two viewpoints. Also, the glide gear arts could be perceived to mean the subjects one can learn which do not use scientific methods. Subjects such as history, languages, religion, and literature. Also, it could be viewed to cover a broad range of creative activities highlighting on the skillful and artistic depiction of track slider concepts, emotions, activities or presentations. What make up the arts in this sense are music, literature, theatre, and art. The arts can then be grouped into literary arts, performing arts and visual arts. The different types of the steadicam stabilizer arts previously mentioned provide one kind of entertainment, leisure and comfort or the other. During the times of the kings and queens, court jesters were employed to entertain the royals and their guests by sharing humorous stories and jokes. The arts are a very rewarding opportunity for aspiring artists. All arts enthusiasts who are worth their salt earn money from their hand held camera stabilizer practice. There are also some people that switched to fine arts because their profession can’t really provide their needs. Remember that, art pieces, especially paintings, are very expensive properties and can be compared to diamonds, video camera dolly tracks and other real properties as these sometimes are used a collateral. Arts are sometimes intended to teach its audience a moral lesson. The message is conveyed in a more artistic way. Every facets of the arts are seriously engaged in the campaign against social problems like corruption and felony, crime, etc. They have all been taking part, for example, in mocking the extravagances of government and spiritual leaders as well as the innocence of the people who fall victims to the vagaries and manipulations of the deceivers. This they achieve through literature. In that way, culprits who had earlier believed that their actions were concealed would start to retrace their ways when they learned that their so called tricks have been revealed. Offenders who are still planning to do their tricks would think again, while future victims will come to a realization and become vigilant and more sensible to their surroundings. And thus will result to a healthy society and a much better place to live in. The arts have beauty and face value, along with their innate properties. We always admire the beauty of a poem, a play, a story, a musical piece, but this charm relates more to the visual arts, the pieces that are appreciated because of the physical appearance, like drawings and paintings. People love to visit art galleries to find, observe and enjoy the attractiveness of art works. Those who have the means buy them and will make them a star in their own living room. How fantastic it is to walk into a well designed lounge to see artworks displayed on the walls! These pieces are definitely a reward for people who can afford them. Lastly, the arts actually help uphold people’s cultures and traditions. Art itself is a fundamental piece of culture, that is, culture in the sense of lifestyles, values, practices, art, and social organisation. Many aspects of every country’s cultural practices that could have been lost and forgotten are restored because of arts.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.