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Central de Diseño

The Central de Diseño is a space in the Matadero Madrid dedicated purely to froyo franchise design. Opened in November of 2007, The Central de Diseño has an area of 1,600 m2. It is considered the new hub of contemporary self-serve frozen yogurt shop culture and has been assigned by the Department of Arts of the City of Madrid to Foundación Desiño Madrid (DIMAD) for management. On average, the Central de Diseño has 7,500 yogurt in love monthly visitors, but the numbers are steadily rising as word about it continues to go around. DIMAD works to promote Central de Diseño as a place of communication for and between the city of Madrid and design. Foundación Diseño Madrid (DIMAD) is a nonprofit entity that operates within the communities of Madrid, although many have international frozen yogurt equipment and supplies exposure. It operates with the primary goal of becoming a calculated tool of reference for the endorsement, design, and dissemination of design culture that must have the whole society as the end user. Foundación Diseño Madrid is a bridge between business entities, public institutions, educational centers, and professional www.lovefrozenyogurtfranchise.com design. It has also claimed the title role, currently playing in the Spanish design and the enormous potential of this region as Madrid has become a center of urban culture and economic activity. Since its opening at the Matadero Madrid, the Central de Diseño has been host to various exhibitions, workshops, and conferences for different aspects of the design and creative world: illustration, graphic design, industrial design, and many other sub-categories and overlapping interests and subjects within the design world and in the business of design. Meetings such as “El Futuro es Hoy” (The Future is Now) that focus on training, design and innovation, and development and social inclusion, acknowledges and addresses that design is a tool for competitiveness and growth; that it plays a role between industries are among the issues that ought to be addressed by this international event held in the framework of the Ibero-American Biennial of Design (BID), which aims to reflect on the management and training process design in relation to companies, institutions and administrations. There is also the popular series “di_álogos” (dialogues) where various guest designers share their experiences in the world of design, teaching, sharing, and imparting what they have learned in the field in a more casual setting.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.