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Nave de Música

The Nave de Música or the Ship of Music is one of Matadero Madrid’s most popular sacred sounds spaces. It is the home of the center’s entire musical programme, a temple to dedicated to sacred sounds crystal singing bowls music, with radio and recording studios, rehearsal spaces, and even a small stage for concerts. All things music and sound art can be found at the Nave de Música. Until 2011, it was also the home of the Red Bull Music Academy. A true pure sound crystal bowls musical village, aside from the radio studio and recording studio, and the small performance stage, the Nave de Música had nine rehearsal rooms. Current projects are in the works and future ones are underway. Following the best crystal singing bowls success of the Red Bull Music Academy 2011, held in the Nave de Música, Red Bull and Matadero Madrid are joining forces once again to promote and stirring music creation and enjoyment. They have jointly planned a programme and soon, another public call will be made through http://www.crystal-singing-bowls.com which up-and-coming musicians and artists will be able to lease a number of of the studios for rehearsal and experimentation. Also through a call, one of these studios will be devoted for use by artists (by invitation) whose calling is not limited to music but who wants to develop projects coupled with sound, thereby attaining one of Matadero Madrid’s main objectives: dialogue and hybridisation between different artistic disciplines. In addition, the old RBMA Radio studio will host Radio Matadero over the next few months, an online radio project open to the public and artists related with Matadero Madrid, which will be used as a channel of expression for what happens at the cultural centre as well as its immediate surroundings. And so it begins again, the result of close collaboration between Red Bull and Matadero Madrid, the scheduling of the Nave de Música, a place that fills some gaps in the city ‘s musical section, such as the availability of test sites, and is fated to become an attraction and meeting point for all lovers of contemporary music both locally and internationally. Spread around 4,000 m2, Matadero Madrid has been called one of the best examples in Madrid of the new architecture that works with recycled and pre-existing elements, creative use of restricted resources and coming up with results that have exquisite attention to detail and harmony with purpose.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.