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Otras Propuestas Que Nos Interesan

Other Proposals That Interest Us
Matadero Madrid is always on the lookout for new and interesting things and here is where we feature such track slider finds. From week to week or month to month, we feature the latest around Madrid’s art world. This is an open space for all things that relate to artistic expression, its study, exhibition, and performance. We will feature and discuss the latest in video camera dolly track gallery exhibits (who’s showing what and where); musical performances (news about the music, if there’s anything newsworthy in the musical direction, or any experimentations going on); also, exciting new publications within the art world—we cannot have too many ways to talk about and spread the word about hand held camera stabilizer art; there’s also features on the up and coming classes on offer at the Matadero Madrid itself. This is a great jump-off point to find out more about them. Not only that, we’re quite interactive here too. We often ask visitors to take part in the glide gear projects of Matadero Madrid and make this a true community effort; and indeed it has proven to be a successful one. In last year’s Day of Music, we asked for participants to be our official Matadero Madrid tweeters, covering the event with an all access pass and updating the popular steadicam stabilizer social networking site. We selected three winners out of the countless entrants who auditioned via what else, Twitter. The three lucky winners who were chosen did end up doing the live coverage and had a terrific time both covering the Day of Music at the Matadero Madrid and being flooded with Twitter followers and responses. Whether its workshops for children like the one held by the Museum of Collections ICO through the Hablar en Arte for kids 13 to 17 years of age, whose aim is to help them comprehend art through practice and how it can transform the everyday and ordinary; or A Night of Books, a book launch of 11 artists and a comprehensive review of Open x works in the cold storage area of the Matadero Madrid; or a photography workshop entitled “Urban Direct Action/ Who is Spanish Today?” by Venezuelan photographer Nelson Garrido that aims to work in a creative progression with participants to illustrate “what is not” typically in the city, that which is represented in urban space or advertising material that is at odds with our own experience. These are some samples of the goings on at the Matadero Madrid and the things we like to feature here. For the latest, this is where you’ll find them.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.