خرید هاست خرید شارژ ایرانسل خرید vpn دانلود فیلم آپلود عکس وی پی ان

Recursos en Red

Network Resources is the Matadero Madrid virtual platform from which you can further the work of artists and program activities, through interviews, audio and video as well as the texts resulting from educational activities, conferences and steadicam stabilizer seminars . This resource space will be available in the coming weeks. The abattoir and cattle market Arganzuela (built 1908-1928) was from the beginning, an open project and likely to grow. And it is growing, and changing becoming a center for contemporary art. Matadero Madrid is a living and changing the service of the creative, artistic video camera dolly tracks training and participatory dialogue between the arts. Since last October 23 to on November 25 in Hall of Music of Madrid’s Matadero hosted the 2011 edition: Red Bull Music Academy . To host such an event a temporary structure was built very interesting, with recording studios, radio studio, rehearsal rooms and concert area that are now part of the new facilities of the center. The project was based on track slider the existing and recycling . Was performed in two months and with a tight budget, so it is a clear example that good things can be done with few resources and a professional job. It is also an example of how important a team multidiscip Linar for conceptual and technical development of projects and the accompaniment of construction phase. In this workshop, using an open technique and highly participatory, shared those experiences where community urban gardens and we were able to share and find resources in a coordinated (network) (information, school, seed, fertilizer, etc..) and share resources and equipment of interest, and in parallel were collecting ideas that serve to structure new experiences to share/get future resources (machinery, “coordinated supply management” hand held camera stabilizer relations with the administration or institutions. Knowing initiatives share resources which have come to date between community gardens and try to systematize and establish lines of work future. Making the Network attractive gardens, especially those who approach it for the first time, realizing the operational benefits and other measures of working in this way.Knowing initiatives share resources which have come to date between community gardens and try to systematize and establish lines of work future. Network to make attractive gardens, especially those who approach it for the first time, realizing glide gear the operational benefits and other measures of working in this way. Main objective is to continue weaving alliances (AMPAs, neighborhood associations, media, international programs such as Habitat) and interrelacionándonos with other networks (networks of gardens in other cities, food sovereignty movements of decline and transition) to gain legitimacy and visibility.

No Comments

Sorry, the comment form is closed at this time.

Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.