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Abierto X Obras

Since its inauguration in 2007, Abierto x Obras Matadero Madrid goes on with a program of interventions that promotes experimental nature from the creation via techniques that explore the relationship between art and place. The function of Almut Linde Sing for me is really a sound installation of voices that belongs to young ladies undergoing forced into pet rehab prostitution at the frontiers of Eastern Europe. The installation connects the physical presence from the cold space of the old slaughterhouse burned with an actual reality within the contemporary globalized globe: the trade in human beings. Open Space Works Matadero Madrid X continues the artistic intervention plan started last year with the aim of encouraging the experimental nature best friend mobility of creation via various approaches and methods that explore the relationship in between art and location. This Open x Works will host from September 25 artist’s project Almund Linde, Sing For Me. Matadero / Almut Linde. This is a specific intervention project chosen by the jury from the 2nd call for help Matadero Madrid 2008, which was resolved final July for installation in open x Works, the program particular interventions Matadero Madrid. Almut Linde’s function “Sing for me” is a sound installation of voices belonging to young women undergoing forced into prostitution at the frontiers of Eastern Europe. The voices reveal the status of an alien globe, between the everyday life of hard work on the streets and insecurity to answer a strange question. The installation connects the physical presence of the cold room of the old slaughterhouse burned with an actual fact in the contemporary globalized globe: trade www.dogwheelchairscenter.com in human beings. The play interweaves the space, which in its industrial past was used to convert living beings into commodities, using the tracks of sound from another globe outside, exactly where individuals are treated as commodities. Young women who’re forced into prostitution close to the Czech-German border, for organizations that operate globally are invited to sing. Their voices envision a different globe, seeking confrontation of everyday encounter of living below conditions very oppressed, with the need for individual expression. The artistic practice of Almut Linde investigated the formation processes of social systems and how they affect the capability of people to act within such systems. Via the implementation of actions in social systems as wheelchairs for pets rigorously controlled the army, the psychiatric hospital or the globe of international labor, Linde draws substantial forms of nearby understanding. Use the person breaks the speech intended to expose the rigidity from the system and, simultaneously, individuality, that is the fundamental element of the formation of social systems.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.