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Agentes Y Espacios Artisticos Independientes

In these days of elections, arrived in our mail the statement issued by some independent artistic agents of Madrid, as the Association Menosuno Space, Total Liquidation, Brumaria AC, The Brown Dwarf, The Atomic Eye and a few others, which show very clearly the lack of support from local and regional institutions to existing artistic associative in the steadicam stabilizer city, the lack of diversity and strength in the initiatives promoted and the lack of transparency in the allocation of resources for creation. Spanish video art exhibition on the videographic representation of capitalism in contemporary art. Publicce Res includes the latest work of Spanish artists whose aim is to clarify what place is left for the art in the political arena of today’s cities. A bet that considers the relevance of exploring the difficult relations that keep art and politics through reflection. The exhibition title refers to the presence of things public in the current political systems, in a sense inspired by the Roman concept of government. While inspiration is related to the international diffusion of Spanish art, the main objective of this project is the question of public space and private space in relation to video camera dolly tracks artistic creation. The mark always indicates a vacuum, evaporated presence of the body. This footprint, more or less enduring, but always static, and confronts the fleeting perishable body that resulted, although both dislocated and inevitably linked to each other, unable to return to join in what was the precise moment when body and traces were fully engaged. However, Carlos Marquerie speaks of love and life, family and environment, track slider marital private space surrounded by olive and oak trees. But what gives us a glimpse of this personal chronicle about the loving couple are traces and shadows, traces where vacuum prevails mark. The artist, indeed, gives witness to the presence of the bodies that love, we deny their presence but also tells us of a vital flow, fleeting and uncontrollable, which no doubt all that remains are traces. The urban landscape can be overwhelming for its accumulation and agglomeration is a landscape extensive but no horizon in sight, with ceaseless activity. The city offers, therefore, the Baroque par excellence and is the antithesis of nature. But this gray landscape of brick and concrete facade and lighting lanterns, contains various forms that contain details and appealing aesthetics, such as a facade with peeling paint, perfect grid of hand held camera stabilizer windows of a block of flats, the oxide film of a metal door, Pablo Ruiz Galán has been attracted to all these urban elements and has resulted in its work “Eternal City”, where urban fashion is not because it serves for the city, but because the same city permeates the tissues. This men’s collection, at the confluence of photography and fashion, is known for its orginal patterns and shapes and patterns, taken from different textures and details of the city. The skin textures of Madrid, captured through photography, are the basis of prints and patterns of textiles fashion collection URBE. But before becoming moving bodies and three on the tissue, the paper reveals geometric arrangements and rhythmic patterns that reveal the beauty of the process. Texture, rhythm and geometry pose such force that won independence and beyond. This is the result: a visual language linked in with the design, architecture and painting. Pablo Ruiz Galán has glide gear studied fashion design and tailoring, this last key in the result of their work. His projects have been exhibited at museums and have won first prize. His artistic interests have led him to collaborate with artists from different disciplines and to develop projects which converge clothing, photographs, video and music. This exhibition is presented within the framework of the XI Festival of Contemporary Scene brings together multiple, simultaneous events and exhibitions in different places in Madrid.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.