In these days of elections, arrived in our mail the statement issued by some independent artistic agents of Madrid, as the Association Menosuno Space, Total Liquidation, Brumaria AC, The Brown Dwarf, The Atomic Eye and a few others, which show very clearly the lack of support from local and regional institutions to existing artistic associative in the steadicam stabilizer city, the lack of diversity and strength in the initiatives promoted and the lack of transparency in the allocation of resources for creation. Spanish video art exhibition on the videographic representation of capitalism in contemporary art. Publicce Res includes the latest work of Spanish artists whose aim is to clarify what place is left for the art in the political arena of today’s cities. A bet that considers the relevance of exploring the difficult relations that keep art and politics through reflection. The exhibition title refers to the presence of things public in the current political systems, in a sense inspired by the Roman concept of government. While inspiration is related to the international diffusion of Spanish art, the main objective of this project is the question of public space and private space in relation to video camera dolly tracks artistic creation. The mark always indicates a vacuum, evaporated presence of the body. This footprint, more or less enduring, but always static, and confronts the fleeting perishable body that resulted, although both dislocated and inevitably linked to each other, unable to return to join in what was the precise moment when body and traces were fully engaged. However, Carlos Marquerie speaks of love and life, family and environment, track slider marital private space surrounded by olive and oak trees. But what gives us a glimpse of this personal chronicle about the loving couple are traces and shadows, traces where vacuum prevails mark. The artist, indeed, gives witness to the presence of the bodies that love, we deny their presence but also tells us of a vital flow, fleeting and uncontrollable, which no doubt all that remains are traces. The urban landscape can be overwhelming for its accumulation and agglomeration is a landscape extensive but no horizon in sight, with ceaseless activity. The city offers, therefore, the Baroque par excellence and is the antithesis of nature. But this gray landscape of brick and concrete facade and lighting lanterns, contains various forms that contain details and appealing aesthetics, such as a facade with peeling paint, perfect grid of hand held camera stabilizer windows of a block of flats, the oxide film of a metal door, Pablo Ruiz Galán has been attracted to all these urban elements and has resulted in its work “Eternal City”, where urban fashion is not because it serves for the city, but because the same city permeates the tissues. This men’s collection, at the confluence of photography and fashion, is known for its orginal patterns and shapes and patterns, taken from different textures and details of the city. The skin textures of Madrid, captured through photography, are the basis of prints and patterns of textiles fashion collection URBE. But before becoming moving bodies and three on the tissue, the paper reveals geometric arrangements and rhythmic patterns that reveal the beauty of the process. Texture, rhythm and geometry pose such force that won independence and beyond. This is the result: a visual language linked in with the design, architecture and painting. Pablo Ruiz Galán has glide gear studied fashion design and tailoring, this last key in the result of their work. His projects have been exhibited at museums and have won first prize. His artistic interests have led him to collaborate with artists from different disciplines and to develop projects which converge clothing, photographs, video and music. This exhibition is presented within the framework of the XI Festival of Contemporary Scene brings together multiple, simultaneous events and exhibitions in different places in Madrid.