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Andrés Jaque

Andrés Jaque is an architect. His work explores the part architecture has in the making of communities. He has been among the most challenging modern European architects. In 2004, he finished the development of frozen yogurt franchise Casa Sacerdotal Diocesana de Plasencia. An active building developed to promote the public emergence of controversies among their customers, primarily elder Catholic priests. What Jaque called a Parliamentary Architecture. Thought to be one of the first cases of a low tech European architecture, the building has become broadly published and object of a number of displays worldwide. In 2005, he designed the 12 Actions to best frozen yogurt franchise Make Peter Eisenman Transparent. A venture to make noticeable, and easy to grasp for general public, the political significance of the building of the single building area Cidade da Cultura in Santiago de Compostela. Tupper Home, a system of little and vibrant plastic houses, has become the smallest architectural challenge ever chosen for the European Union Prize for Contemporary Architecture Mies van der Rohe Award.The young Madrid based designer Andrés Jaque has developed the House in Never-Never Land, the project cascades along a 1300 m2 sloping plot in Ibiza. The place where this property is placed is a beautiful self-serve frozen yogurt franchise natural hill not even close to the island’s major attractions. The thought of the project is dependant on three main ideas: incorporation with the natural environment, incorporation of motivation society, and achieving financial to safeguard the future. The architect’s primary aim would be to adjust the geometry of the house to the present facilities and to carve out the construction in the open spaces between the trees and bushes, even going to the extent of incorporating trees at certain points. The house uncovers totally to its environment in a normally Mediterranean way of living where areas like the terrace or the pool turn out to be hubs of activity. The quest for desire is based on the way Andrés Jaque has thought different possible daily circumstances in the house. In the current economic visit website climate, buying property is viewed as a way of ensuring one’s future financial security – a sort of expenditure fund that develops in value with every passing year. With this in mind, the architect designed an ensemble of three distinct components: a primary house, plus two independent cabins that may be rented out in the near future. Each building meets the requirements of the holiday rental market and has separate access and amenities. The slope of the land makes sure that each unit enjoys an unimpeded view of the sea and its own part of garden. The motivation behind the House in Never-Never Land is to create an environmentally responsible project that values the wonder and biodiversity of the valley, to provide a means of financial security for the owner, and also to create a space for possibilities and desires, related to the customs of the island. House in Never Never Land has been constructed in and among the site’s current features, with trees growing up through the interiors of many of the rooms. Plus the main house, two rentable cabins sit on the 1300 square-metre site with access via bridges. The primary part of the house is supported on a concrete structure while the elevated yogurt in love terraces are supported on a metal frame. In 2003 together with a group of sociologist, economist as well as journalist he developed the Office for Political Innovation, a metropolitan lab focused on the development of a democratically based architecture, considering objects as material actors of equalitarian groups.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.