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Arquitectura

Matadero Madrid, the city’s center for creativity and artistic expression in various disciplines is itself a main example of the continuing work in the field of frozen yogurt supplier architecture. The former municipal abattoir is one of the most uniquely remarkable industrial structures of twentieth century Madrid architecture. It is now undergoing its transformation into Matadero Madrid. The Madrid City Council, along with partners in the public and private sectors are set to convert a city center plot of 148,300 square meters of an expansive best frozen yogurt machine contemporary project as part of strategic plans for new and improved cultural centers. Matadero Madrid will be developed within the site of the old slaughterhouse designed by architect Luis Bellido in 1910.  The same site the project is taking over covers the high capacity yogurt machines area of the old municipal supply warehouse in the southeastern part of the grounds, with an overall number of ten buildings, and in the northwest, others, together with the former stables—which now houses the National Dance Company and the Spanish National Ballet—and the old potato warehouse. All in all, more than 85,000 meters of space will be dedicated to new cultural facilities, wherein project www.frozenyogurtmachines.net Matadero Madrid will be developed. The original division of the structures or warehouses, intended to smooth the progress of the interconnection between the various industrial processes, will be a helpful element in the process of continuous exchange between spaces, disciplines, institutions, professionals, and visitors. Aside from the identifying with the functionality of the original purpose of the site, Matadero Madrid will also focus on architecture as one of the emerging forms of artistic expression; architecture along with town planning, and contemporary landscaping will all have a permanent presence at the center. The promotion, experimentation, exhibition, and information on modern architecture is one of the main objectives of the Matadero Madrid’s architecture center. As a new center, Matadero Madrid will be located at the junction where the southeastern continuation of the Prado-Recoletos axis meets the future great Manzanares avenue. It will add to the effort of stretching Madrid’s center outward, toward the river Manzanares, and giving identity to urban south Madrid, as well as the Arganzuela and Usera neigborhoods. Hopes are high that the development of Matadero Madrid, with its unique and beautiful setting, will help turn it into one of Madrid’s cultural symbols; complete with its new facilities and the variety of cultural activities for citizens and a new icon to help promote the Madrid identity and brand abroad.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.