The phrase performing arts comes in the 60 United States. It was initially used to identify any live creative event incorporated poets, musicians, filmmakers, etc. along with visual artists. The performance is ozone generator definitely an organic culture in space, which could only be realized in space. Life as efficiency is the spatialization of thought, concepts, bodies, needs. Antonin Artaud in the wording of Les Tarahumara, mentioned that the theater as a efficiency “is an art form of space and weighing about four factors in space that he will threat life details. This space is lived on by the theater that issues are his numbers, as well as, under the numbers, the noise of life. “Life as theater and performance, they require space for a tangible acceptance of man with his behavior and also thoughts. The body is the automobile of this embodiment, the body will vacant to the ways in carrying out displays in civilizations as well as thoughts. The setting up of a play or a film isn’t just ozone air purifier a creative action. It is a general process provided all anthropological fields, building operations on the social and organic body of society. The performative enactment as are concrete techniques society appropriates to convey their bodies in daily life and social. The performer runs the rule of treatment of the state, developing a world of its own and a personality. When presentar performance in dance, installation or Candomblé rituals and carnival performer makes a tension with your energy body. This body is visible within an anthropological concept proposed by Barba and Grotowski manifests in theater anthropology. Grotowski come up with neologism of “performer” after which left him for behaving. According to Jean Bazin, man should be studied by the act as he does his actions,and ozone generators never as they are. As he makes his food, their dance, their ceremonies, their creative processes. We must not determine or evaluate a particular group or individual for who they really are, but exactly how they act or do their actions in time and also social space, individual and private. The Circular Performing Arts Festival is an event of performing arts periodicity of yearly ongoing since 2005 in the area of Vila do Conde. The artistic fields covered in this festival are multiple: theater, contemporary dance, performance, visual arts, video, music , among others. The festival encourages the distribution of plans and promotion of performing the experimental field, a part of creativity, concentrating on the transdisciplinary proposals. Along with the performances and performances also take place discussions, displays, literature, among other endeavours. The first edition in 2005, occured in January and lasted nine days. The Festival has experienced the presence of prestigious national and international artists as Vera Mantero , Joclécio Azevedo, Laurent Pichaud, Martine Pisani, or Lucina Fina. Many of the shows presented are national premieres. The firm of the festival is the “Circular Cultural Association” (connection located in Vila do microdermabrasion machine Conde), in partnership with academic experts in contemporary artistic term. The directors of the event are Paul Vasques and Dina Magellan. With the Festival are also developed other projects during or outside the period of the festival program for educational activities “Rudder Artist”; the artistic homes, or projects in partnership with schools in the city, in just a framework of public service.