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Ayudas A la Creacion 2010

Grant for young entrepreneurship is an assistance which is designed to promote youth snoring eliminator entrepreneurship in order to achieve stable employment and channel projects that are often not developed because of financial instability. This program aims to assist the application of new snore eliminator ideas to enhance the personal development of young entrepreneur and pose a personal and professional achievement. The purpose of the program is to subsidize the cost of creation and implementation of new business activities by young entrepreneurs within the city of Pamplona. Any self-employed entrepreneurs and SMEs, meaning they’re a legal resident of a community of which they have not done business before the date of the request and will make an investment project on snore mouth pieces. Those interested in receiving this grant must meet the following conditions: The amount of investment eligible expenditure set by the ADE shall not exceed the amount of one hundred thousand euros. They must be viable from a technical, economic, financial and environmental. Except for retail sector, the new activity will be conducted differently from those made earlier in the same establishment. Twenty-fice percent of the financing of anti-snoring mandibular advancement device and eligible investment should not have any public support. The project must lead to the creation of jobs through the creation of stable employment and or self-employment. The grant application must be submitted prior to start investment and make the expenditures, investment can begin without waiting for its resolution. Investments in the establishment must be kept for at least three years after its completion. The approved recipients of the grants will have patent rights, new fixed assets, and new equipments will be provided. They will also have feasibility studies (business plans) and other studies, conducted by outside consulting firms. Expenses of incorporation and first settlement. The amount that will be granted is fifty percent of eligible tangible and intangible investment, with a maximum grant of thirty thousand euros and up to 75% of eligible costs, provided they are linked to an eligible investment project. Interested applicants should file a standard application. For electronic filing of the application may include the documentation digitized acquiring undertaking to submit the original or certified copies thereof when so required. The applicant should have their tax residence and business in the municipality of Pamplona and should be aware of their tax obligations and and social security number. He or she must have been discharged from the business tax in the city of Pamplona and must have a project feasibility report, endorsed by economist Technical Area General Services or the Business Promotion Service of the Municipality of Pamplona or similar service. The responsible agencies for this program is the Agency for Innovation and Corporate Finance and Ministry of Economy and Employment. The decision for approval will be made three months after the applicant completed the requirements.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.