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Cafe Teatro

The area of The Arts of the City of Madrid, through Matadero Madrid, opened a new call for aid for Contemporary Creation in 2010, equipped with a total of 355,000 euros. The deadline for submitting projects and will end on February 16, 2010. This is the sixth open call by the ozone generator Department of Arts since the program of Aid for Contemporary Creation Matadero Madrid began his career in 2006 with the will, by the City, to support those initiatives to stimulate artistic creativity and contemporary thought and promote its dissemination and outreach to citizens. The call is divided into three different programs. The first is a program of independent cultural spaces and agents for permanent spaces as well as cultural agents involved in mediation of contemporary art, thought, ozone air purifier development and dissemination in the city of Madrid. This mode is aimed at cultural institutions and nonprofit endowments not exceed € 30,000 in the case of space, or 20,000 euros in case of unavailability of space. The second is the program developers for the production of creative work of individual and collective, innovative projects and activities with foundations and content of free choice. This mode is aimed at individuals and groups that develop in the city of Madrid his artistic activity, and the amount shall not exceed 15,000 euros. And the third and last is the Matadero Madrid Program for projects and activities to take place in the spaces and institutions currently active in Matadero Madrid, which ozone generators are Intermediae, Open x Works, Café Theatre of the Spanish Ships and Design Centre, will also present plans to the digital facade Medialab-Prado in the Plaza de Las Letras. This approach is geared to individuals, groups and cultural organizations, non-profit to develop his artistic activity in Madrid. Projects selected under this program may qualify for a prize not exceeding €18,000 and a specific space for the production and exhibition of the project. The producer told Europa Press that Slaughterhouse Band is the project of eleven musicians completely different than their open-mindedness brought them together. They created a group in which the link is “his particular way of understanding music, leaving behind the stereotypical tendencies to impose their own style as eclectic.” Thus, the traditional African rhythms join the jazz and blues based with a Hip Hop Mc. A merger that creates a sound “clean and independent different heard before.” Band slaughter advantage of this way the roots of its components to give sense to all the songs. The careers of these musicians began in late 2007, and in less than two years began microdermabrasion machine to bear fruit. In summer 2009 they won the Contest of Modern Music ‘Memorial Alberto Cano in Albacete and with it the opportunity to record their first album. Similarly, thanks to the prize awarded by the city of Albacete, Slaughterhouse Band has been recording ‘Slaughterhouse Band, “his first CD as a group and have the option to submit it and promote it nationwide.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.