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Carlos Irijalba

Carlos Irijalba, one of popular in-house artist of Matadero Madrid was born in Pamplona Spain in 1979 and graduated at the Basque Country University and UDK Berlin with professor Lothar Baumgarten. His work describes the way Western culture innovates an abstract snoring eliminator method that loses all interactions except to itself. The scenes has noted out the open spaces of the visible so it can be simply understood, diverting the interest to a set of false events. Carlos Irijalba works in projects as Überlegung or the latest Twilight and Unwilling spectator in that snore eliminator area between relative experience of time and space and the joint construction of the genuine. The artist Carlos Irijalba has been awarded the Revelation Room Mate Hotels PHotoEspaña 2010 in recognition to his excellent work called Perfomativos Andes. Carlos underwent a series of intricate procedures of photo shooting which produced amazing snore mouth pieces results and great images of his work. The official presentation of the Awards PHotoEspaña was held June 2011 last year, at the Spanish Ships of Matadero Madrid. The grand prize will receive six thousand euros worth of anti-snoring mandibular advancement device art works from different renowned works of Spanish artists. Not only that, the works has been exceled and has won many recognition from other art critics. The artists also who have won this competition in the past are Carlos Sanva, Germain Gomez NOPHOTO, Bleda & Rosa, Joan Morey, Lucía Arjona, Paco Gómez, Carmela García, Isabel Flores, David Jiménez, Susana de Sousa, and Xavier Rivas. The appointed judges for this competition was the president of Room Mate Hotels, Enrique Sarasola, the director of the Department of Art and Design at the Universidad Europea de Madrid, Joaquín Ivars, and the photographer and winner of Revelation Room Mate Hotels in 2009 Carlos Sanva. If you want to see the works of Carlos Irijalba, you can check out the Curators Network Assembly in Matadero Madarid. The first meeting of Curators’ Network will be held at Matadero Madrid, Hall 16 from 16th to 19th of November 2011. These public activities of the network will serve to boost the exchange of knowledge between Spanish and European professionals that work in the field of modern arts. Between Wednesday 16th to Saturday 19th of November, 8 – 10 pm., the Nave 16 in Matadero Madrid will host a showroom with the work of the selected artists, so that local curators and other cultural professionals can meet them personally. At the same time there will take place conferences of the international curators in which they will present their projects and institutions in their respective cities. These sessions are free of charge and are addressed to all professionals who work within the field of the contemporary culture with the intention of providing a rich and sustained exchange of ideas that pave the way for future collaborations.

 

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.