Carlos Marquerie is a noted Spanish playwright, stage director, painter, stage designer, and ozone generator illuminator. He began his career by studying under sculptor and puppet maker Francisco Peralta, whose work ethic he considers a great ozone air purifier influence on him. Despite maintaining a pretty low-key profile and staying out of the conventional theater circuits, Carlos Marquerie has managed to himself become an enormous influence on a generation of playwrights, performers, and choreographers from The Butcher Angelica Liddell. Marquerie was a member of the storied ozone generators group The Tartana, in the time of the Spanish transition. “In 1977, after the end of the Franco dictatorship, it was fascinating to work on the street and meet people face to face. We made a puppet not festive, poetic, very carefully. But over time street theater went microdermabrasion machine commercial. Municipalities, including those governed by the left, they wanted to appropriate that spontaneous movement, through a popular celebrations in which the artistic sense lost. This theater became festival and parade.” Over the years, the evolution of Carlos Marquerie’s work is quite clear; it has become some sort of an autobiographical research. For Marquerie, expression through writing came much later, he felt a drive to comprehend the events happening around him and to him, and to make public the private—some of them, at least. Mixing in personal texts, parts of his own experiences, into his writing—at one point, he wrote three pieces that appeared as monologues in one of his plays—as a way to process his own feelings. Marqurie continues to explore and broaden his creative range but not forgetting to share and give back in the process. Being that he is a key figure in the Spanish art and culture scene and a strong example of a contemporary way of looking tradition. He continues to take part in the community by being active in the events at the Matadero Madrid particularly workshops such as Why The Body: The Workshop on Earthquake Monica Valencia 2010 and Participación En El Laboratorio Escenas Discursivas De Walking Theory Y Artea.