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Carpe Diem

Carpe Diem Art and Research in collaboration with Matadero Madrid are taking in entries from the 17th of April until the 29th of May for the best crystal singing bowls archive of the project of designers for Archimobile, with special participation of crystal singing bowl artist Juan Lopez. In recent years, Juan López has been working with different sacred sound formats such as drawing and video, but the heart of his work is a series of ephemeral interior and exterior murals. In his interior pieces, he makes use of drawings made with adhesive materials to alter the view of the space; in his exterior ones, he casts out messages to audiences using facets of advertising language without in fact selling anything. He was newly awarded with the ABC Art Award and will present in ARCO a video shoot at his sacred sounds crystal singing bowls intervention at Sala Naos in Santander in 2009. Painted walls, graffiti and street art are for Juan López available communication areas where the neighbors can illustrate their anxieties, as if it was a textual microphone. That is why he works with graffiti, billboards, and wall collages in which he draws, uses adhesive tape, photographs, texts, and videos. In Looking for patrons www.crystal-singing-bowls.com, Juan Lopez ironically dialogues with the file creators and their presence within the file. Portugal’s capital city, Lisbon, will be the first to host this project during 2010 and it travel through various cultural institutions in Europe, Latin America, and Asia.Carpe Diem Arte e Pesquisa é uma plataforma de pesquisa, experimentation and study focused on the area of the contemporary arts. It is an autonomous, nonprofit institution, located in Lisbon, which poses as a plural and multidisciplinary structure for the visual arts with the objective , of providing a network for information exchange between creators, theorists, students, producers, and, the public. One way of looking at it is, it is basically Matadero Madrid’s Portuguese counterpart. Located on Rua de O Século 79, in the old Palácio Pombal–which belongs to EGEAC/CM, a partner in the project, Carpe Diem Arte e Pesquisa is in part financed by the Ministry of Culture and Arts. As it is a nonprofit organization, it also counts on a network of collaborators and support from cultural entities. The programme is geared toward the residencies of national and international artists who carry out site specific exhibitions and master classes, as well as a succession of parallel activities such as conferences, conversations with the artists, and guided tours.

 

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.