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Cine

Cineteca aspires to be home, shelter and meeting place for lovers of film and audiovisual professionals. The first and only country hall devoted almost exclusively to nonfiction film, will come to fill a gap that has best crystal singing bowls kept away from the big screen for too long to film reality, with which the Lumière began the history of Seventh Arts. With that starting point, the vectors of work and content Cinematheque will focus on everything that is related to audiovisual creation. Aspiring to become the mecca of the documentary genre in our city. Thus, Cinematheque, as pioneer country room devoted almost exclusively to nonfiction film, opens new perspectives for fans of documentaries. The box office opens half hour before pure sound crystal bowls the start of the session. You can also buy your tickets through entradas.c om and print them at home. The ticket price is 3€. Matadero Madrid, located in the old municipal slaughterhouse in the capital, is becoming a new center for contemporary creation, participatory arts education and dialogue between the arts. Promoted by the City of Madrid in collaboration with other public and private, Nestled in one of the most significant sites of industrial architecture in Madrid of the early twentieth century and is projected as the largest center for contemporary art http://www.crystal-singing-bowls.com/ in Madrid and one of the leading international space dedicated to contemporary creation. As part of this creative space is the new Cinematheque, the first cultural space dedicated almost exclusively to documentaries and intended to become a reference to national and international professionals from the audiovisual. For the implementation of this space the Madrid City Council has relied on Vitelsa, you have configured and implemented audiovisual equipment of the two rooms and control room sacred sounds of the Cinematheque. The Main Hall or Hall Azcona, named in honor of the famous writer Rioja, has a capacity of 239 seats and has become an area of ​​dissemination of the work of the creators of film and television industry Spanish. In the main room, Vitelsa server has installed a high-definition movies, also able to deliver 3D content. It has also installed the latest equipment from Crown and JBL for high fidelity sound in the room, integrated with a powerful Dolby audio processor to provide a more spectacular sound. In this audio system is connected a set of wireless microphones that allow making presentations, debates, conferences. The other area of ​​projection of the Cinematheque’s Conference Room B, of versatile and with a capacity of 100 to accommodate persons previews, special screenings and presentations. This room has a full HD projector installed high brightness, combined with a portable sound system powered JBL, allowing you to move if necessary projections and even other spaces adjacent to the Patio of the sacred sounds crystal singing bowls Cinematheque, where you can do outdoor events. For the management of both rooms is designed and equipped control cabin, where an advanced audio-video matrix to control the digital video input from different sources, and controlling the audio and microphone systems present in the room. All this equipment has been housed in racks and technical furniture feeds where the monitors and posts realization and projection.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.