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Comisariado

Matadero Madrid holds exhibitions of curated works by various artists and creative groups. The most recent being, track slider works such as the Cadavér Exquisito, Raqs Media Collective, and the Proyecto Juárez. Exquisite Corpse (Cadáver Exquisito), a performance somewhere in between design, photography, cinema, architecture, and fashion presenting the interchange between the video camera dolly tracks static structure of architecture and the bodies while in the midst of movement within dance. Exquisite Corpse brings together performance and visual arts, a great example of exploring interdisciplinary work and a way to create a unique glide gear cultural environment. It is mounted in partnership with the dance group New Movement and music producers The Boilerhouse Boys. This particular event is the result of the collective efforts of the AAIS, led by Theo Lorenz and Tanja Siems, with other hand held camera stabilizer professionals namely Andy Dean from Boilerhouse, Ariadna Cantis, filmmaker Heiko Kalmback, Nick Crosbie, and Steve Webb. Raqs Media Collective of India as part of PHotoEspaña has been invited to curate an exhibit. Clickseguros awards the Click&Rec Awards, which, for the first time, are to form part of PHotoEspaña’s Official Section; winning steadicam stabilizer videos will be screened at Matadero Madrid. The video art competition invites participants to generate works based on the theme of “The Absent Image” selected by the Indian collective Raqs Media. Given the explosion of images all around us, pushes creators to consider the countless elements still to be recorded. Raqs Media will choose the pieces to be exhibited, and will judge the winning entry, whose creator will be awarded a one-month residency—between August and December 2012—to work with the Sarai programme (www.sarai.net) at the Centre for the Study of Developing Societies, (CSDS), a New Delhi research institute. The exhibition, also to be screened online, will encompass four pieces by guest artists Suchismita Ukil & Ishaan Sadhanand (New Delhi), Zheng Bo (Hong Kong), Basel Abbas & Rouane Abou Rahme (Ramallah) and Yota Ioannidou (Athens). Proyecto Juárez features the works of fourteen artists as they reflect on the forms of domination and discrimination, and their interest in exploring the ties between the makeup of masculinity, the exercise of violence, and vertical power. All these themes tie up to the social transformation that the city of Juárez has been undergoing over the last few decades. Where once they had stable and attractive cattle and cotton industries, now they are in the midst of incorporating a new industry along with battle the menace of drug trafficking, plus a mass exodus, and heavy military presence, and poor employment opportunities.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.