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Documental

The Cinematheque space Matadero Madrid will allocate more of 2,690 square meters documentary film, establishing himself as the “first and only” living in the country dedicated exclusively to this genre, as stated by the city’s mayor, Alberto Ruiz-Gallardon, during the opening of best crystal singing bowls this space. The Cinematheque will have two screening rooms. The largest, with 240 seats, will be called Room Azcona, thus paying homage to one of the greatest writers of Spanish cinema, Rafael Azcona. The other is a multipurpose space for about 90 spectators in addition to projections that may carry out other activities such as conferences, symposia, panel discussions or talks. Between the two there is also a receiver. In addition, the Cinematheque has a production area with a set of 244 square meters may be rented for large and small producers (in terms of which vary the rental price), giving priority to young people who want to make documentary and experimental film. This area also has ancillary pure sound crystal bowls facilities such as locker rooms, dressing rooms and warehouses, and is accessible from the promenade of the poplar to not interfere with the programming of the Slaughterhouse. Although the set is ready for any assembly, all facilities shall be borne by the person using the space. The heart of the Cinematheque will be your Documentary Film Archive, which houses all funds Documenta Madrid Festival since 2004, which will be added gradually to other documentary titles are held in the capital and that will yield the Consistory . Although the tapes can not be removed from the file, if there is available to users where they can view them six points. The remaining 17 wards of the Ship of Slaughterhouse are occupied by an administrative area, the ticket (with which exposes an old projector), a bar and a courtyard terrace where you will develop activities and projections, and Film summer. Throughout the complex, old and new coexist in an atmosphere in which the natural light becomes protagonist through a “luminescent mechanism that resembles a woven basket” to form the walls of the different spaces. The proposed reform of http://www.crystal-singing-bowls.com/ the pavilions that occupies the Cinematheque has been made by architects Jose Maria Churtichaga and Cayetana de la Cuadra, and it has invested 6.2 million euros. With the opening of the Cinematheque, the Matadero de Madrid forward in opening up public spaces. So Gallardón explained that the next area will open, expected “in November,” will be Reader’s House. In fact, the manager of that project, the former Minister Cesar Antonio Molina, has gone to the inauguration on Wednesday. In addition, the City Council has also reached an agreement with Red Bull by which the company will rehabilitate the Ship 15 of Slaughterhouse to use it six weeks a year sacred sounds over the next three years, leaving it free for the Consistory to independently schedule the rest time. So, as of October 27 for five weeks and will be installed at this point the Red Bull Music Academy, attended by between 60 and 70 musicians from around the world who can receive training in group classes, experimenting with international experts or attend lectures and conferences. When classes end, attendees also have the opportunity to offer small performances in theaters included in the network of sacred sounds crystal singing bowls Live Music in the capital, and use the recording studio or Internet radio Matadero Madrid. When the school closes, the area will be occupied by a Space Creators such resources and will also be supported by Red Bull, which will involve these young people in the next edition of his Academy.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.