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El Ranchito

Matadero Madrid offers the public presentation of results of El Ranchito , a project of cultural research involving more than 40 artists or groups locally and internationally, and a large number of city institutions, curators and art associations, which be adding new agents www.lovefrozenyogurtfranchise.com in the coming months. The public space is subject to reduced consumption and managing the flow of citizens. The excess of limitations makes citizenship is abandoning its use as a meeting place. However, there are spontaneous demonstrations by the appropriation of public space respond to this bottleneck, these rules imposed by the urban planning. The furniture can be used today to claim a trench freer use of public space in front of an entirely planned and imposed. The focus of the project is to identify and strengthen those daily micro generating froyo franchise new subjectivities through the temporary occupation of public space by citizens outside the conventional channels of urban planning. We want to encourage ownership and use of public space by citizens and take a step towards an urban guerrilla, in which every citizen is active, autonomous agent in urban transformation. The presentation of the first results and work on this project, which will remain in Hall 16 to April 29 , takes the form of an expanded file available to everyone, which brings together the work process and the expertise developed by the artists during this time. Thus, the space houses a library and documentation area, work space in which various artistic groups continue to develop their projects, along with a wide exhibition area where you can find both finished works and works in progress, and an area of socialization and activities. El Ranchito was born in 2010 when the team raises Matadero Madrid will delve into some of the founding objectives of the center, including participatory arts education, reflection on the contemporary socio-cultural environment, support the construction processes of culture and promoting greater visibility to the creative process, all from a transdisciplinary perspective and constant dialogue. The ultimate goal is to find a way to work hand self-serve frozen yogurt shop in community cultural administrators, curators or artists and try to answer a series of fundamental questions about the meaning of the artistic work, the relationship between art and community roles the author, the commissioner or the cultural institution. Among the projects are produced pieces André Komatsu, Sally and Gabriela Gutierrez Dewar, William Mora, Enrique Radigales or groups Zira 02, Spindles, Zoohaus and all yogurt in love for the practice, as well as documentation from other completed projects carried out by CIA Puctum/BiNeural MonoKultur and Miquel Garcia/Pensart. Other proposals may be, still in an embryonic stage but will grow in these months are the collective work of Surplus/Excess, Puss in flies, who has collaborated with Expanded Architecture frozen yogurt equipment and supplies of Colombia, or Mexicans Tercerunquinto Walking Theory ( Serbia). Also, the public can peer into the work carried out at present in the workspace occupied by All for the practice under the hat, Toxic Lesbian, Surplus / Excess and Ellen Jones. Finally, all documentation is available for projects Rbzas Anto, Camille C. Hanson, Underneath the hat, Edurne Herran, Elena Jiménez, Javier Huts, José Marín, Paulina and Toxic Lesbian Chamorro, who have been occupying workspaces enabled in Matadero Madrid since mid 2011.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.