This artist in Valladolid is one of the most prominent names in the Spanish panorama of modern art. Ampudia is also one of the Spanish artists more centered on the use of new technologies as an artistic development, always with an active connection with the viewers. Since 1994, is a regular participant of the issues ARCO, best crystal singing bowls whose 2008 edition gained the Critics Award, and several of his works already are part of many museums and the most exclusive collections in Spain. He is a painter, sculptor, multimedia artist as well as display curator, Ampudia studied at the School of Arts and Crafts in Zaragoza. Stripped from all things superfluous, his practice, made across numerous media, concerns the beholder about ideas silently pervading the everyday life. Ampudia’s works have been seen at the Singapore and Caracas biennials (2006), and ended up on display at Kunstverein, Copenhagen and LABoral, Gijon (2007); Artium of Vitoria, Museo Pablo Serrano of sacred sounds crystal singing bowls Zaragoza, and Project Room in Cologne (2006); and the Museo Nacional Centro de Arte Reina Sofía, Madrid (2004), Fundación Pilar y Joan Miró, Palma de Mallorca (1994), and the like. He usually try to basics. Deconstruct a lot when he raises his artistic research and think ‘Temps’ is a clear example of the issues that concerns him. This is to reflect pure sound crystal bowls on something you might pass before the eyes of the beholder, a way to pass time passes and does not remain ever, even when concrete at a given time, the next fades. Most of his strategies have to do with the moving image, as with ‘Temps’. It is a mechanical installation, with an interior full of chains that are coupled to an engine and produce that effect on the letters. The truth is he’s good and does not care multidisciplinary format exclusively especially working facilities, videos and urban actions. He likes to audit all the circumstances that come together around art, from the art market to the cultural industry and the role of the viewer or the artist. In short, stake the points of view to better understand what art tries to explain to others and from what position it is. He took that much time working with the moving image; he noticed a change in its assessment, which coincides with the millennium. Video art emerged in the 60s and there have been milestones as the works of Paul McCarthy or Nam June Paik. However, from 2000 it became the most obvious part of artistic performance. Recent http://www.crystal-singing-bowls.com/ trends have much to do with what they need at this time collectors, museums and institutions that strive to catch up and update their collections with moving image. Moreover, this success has also given impetus to the ‘performances’ and actions that were previously only recorded in the videos and now jump into the street independently. The artists are survivors sacred sounds and they are accustomed to working under adverse circumstances. Ampudia particularly cannot complain. He purchased a presence in the international market and it allows me to work without problems in the practical sense and keep telling people he needs to tell.