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Fachada Digital de Medialab-Prado

Open Up is an advanced workshop production of projects for the digital facade of Medialab-Prado. From 9 until today February 23 working groups have been developed collaboratively eight proposals selected by an international open call. A happy neighborhood, David Rodriguez and steadicam stabilizer collective Unbarriofeliz From the news and start up video surveillance system Lavapiés, some neighbors have organized groups engaged in calls for creative interventions against the cameras. This project is part of a collaboration to visualize this neighborhood struggle. It is therefore, to subvert the public takes the privacy of neighbors and private use by the security forces, and turn it into a public. LummoTetris, Carles Gutiérrez, Javier Lloret, Mar Canet and Jordi Puig Lummo Tetris video camera dolly tracks is a new version of the legendary Tetris game designed to connect to people who are in the Place des Arts. Players must cooperate to form the pieces of Tetris with their bodies and put them in the right place. The urban screen Medialab-Prado is used to display the game. The gameplay is the same as Tetris, players must try to resolve as many lines as possible in order to prevent any part reaches the top of the screen. The game aims to make public space play area, where all people passing through the square to enjoy and play a while. Mimodek, Marie and Steven Pickles Polakova Mimodek introduced into the city some of those attributes away from the natural world. Introduces the element of change, probably the main difference between the natural and the manmade. The essence of what is us – humans who inhabit the city – we need in our beloved cityscape. It is a meeting point between the inhabitants of the Place des Arts and the digital agency track slider embodied in software. Stories that never are: ZeroEstigma of Toxic Lesbian Stories that Never Count: ZeroEstigma from a reading of gender and sexual orientation aims to contribute to visible part of the history of women and lesbians in Spain, related to the role of the psychiatric control in society. [Common]: Local Feed, Domenico Di Siena Use the screen as an opportunity to experiment with an unusual dynamic access to “public” information contained on the Internet from a public space (physical), rather than from a private space. The idea is displayed on-screen information produced daily on the Internet by the neighbors, but associated with the urban environment (hyper-local) in which it is located. Stand By Alfredo Calosci “Stand by” is to become hand held camera stabilizer A Warm MediaLab Prado contribution to the quality of their immediate urban environment without sacrificing style reflect the “digital and participatory” that characterizes the center’s activities. The initial idea is to project a vertical garden in digital format, which evolves with the times slower plant growth and reflects the contributions of those who want to collaborate in their care. Occurence Color (color frequency), Ann Oren and Zevan Rosser The facade acts as a digestive eye you have to change the view and provides an interpretation visual, using the color information of the street in front of the building Medialab-Prado and live text Twitter. will install a video camera to capture live images from the “view” of the facade. Using a custom software unless you get the color present in the live video images. They will choose a word or group of words to represent the color (olive green, green grass, green glide gear fluorescent, etc.). Then, using the verbal representation of color, will search in Twitter. Immediately after the color name a list of words that are grouped and combined with the original video images. This process is repeated every 60 seconds, producing more video content evolving, unpredictable and emergent.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.