خرید هاست خرید شارژ ایرانسل خرید vpn دانلود فیلم آپلود عکس وی پی ان

Fundacion German Sanchez Ruiperez

The Fundacion Germain Sanchez Ruipérez was established on the 27th of October 1981. Since then, it has been dedicated to the achievement of educational froyo franchise and cultural programs. The Foundations, since the start, has centered most of its activity in the publication and the propagation of self-serve frozen yogurt shop book culture and reading, in all media and expressions. The key player of the Foundation is the www.lovefrozenyogurtfranchise.com reader. The FundacionGSR is an organization in the service of society in its entirety. It is professional, independent, and enduringly committed to the future and to advancement. Their every day activity is focused on developing projects and programs, mostly fashioned in the frozen yogurt equipment and supplies institution, for which you have the groups, own assets and infrastructure that permit the fulfillment of their vocation. The President of the Foundation has always exhibited a resolve to guarantee that the project of the institution to the best and to make yogurt in love available infrastructure for utmost ambition and quality. In line with this, the Foundation, which has been working all over the Spanish countryside, snuck into Madrid and collaborated with the city to build the cultural center that aims to be the “library of libraries,” consisting of four ships and 8,000 square feet that will be home to exhibitions, workshops, concerts, training courses, along with research and experimentation. The city’s mayor, Alberto Ruiz-Gallardon, who checked on the on-going rehabilitation work at the International Center for Research, Development and Innovation of Reading says “It will be a gift for all citizens,” for whom in times of difficulty, he stressed, it is important to provide materials “spiritual and intellectual.” FoundacionGSR president Ruipérez Germain Sanchez, The House of the Reader will be a “renewal project” in their pursuit of research, development, and innovation, and “will mark future trends” through a network of connections. The city of Madrid is a partner in this project with FundacionGSR. The project is designed by Alberto Corazón and has a budget that ranges between 26 to 30 million euros. The House of the Reader is part of the Matadero Madrid. The space will have a documentation center and a specialized library (serving students and stakeholders, in turn connected to the databases of the FundacionGSR), plus a line of publications—journal, web, book—and radio and television programs. It will also have an auditorium with 300 seats. For its part, the Central Library, which will house 50,000 books donated by the collector Fernando Eguidazu, aims to “tell and reconstruct the story of how this country has become reader,” said Antonio Basanta.

No Comments

Sorry, the comment form is closed at this time.

Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.