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Hablar En Arte

For artists, art is their way of communicating, it is a language that is in their level of consciousness is similar to a snore eliminator when an individual verbalizes, but the difference is that instead of words that comes out into a person’s mouth it is images that comes. It is the use of skill and imagination in creating an object that can be shared with others. Everyone can draw but not each person can create an amazing and unusual snore mouth pieces.  Others believe that not every one of us is gifted with such talent to be a true artist. It was like a destiny, a gift from heaven that only chosen ones are given with extraordinary hands and mind that ties them in their passion of creating an art.  Like true certain artists after they passed have left divine legacies. The beauty of Michelangelo brilliant piece has given a vision of the Divine Mind which did not exist before his extraordinary interpretation of the Pieta, or before he put a face on God in the Sistine Chapel. He is considered the living artist of his lifetime. The way he stroke the snore eliminator brush was the language he spoke that filled the extent of the renaissance which was developed beyond his time and frame of reference. Any category of art can be shared, whether painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts, though like the decorative arts, Music, theatre, film, dance, and other performing arts, as well as literature, and other media such as interactive media are included in a broader definition of art or the arts. Any created objects can be considered as an art and the anti-snoring mandibular advancement device maker is called an artist. But an ordinary art is just like a simple day in a society, the things we used to do every day and nothing more unusual but every art is unique, each artist has its own way of expressing their feelings or communicating to their own brushes but only few really stand out, those are the pieces with divine inspiration that sometimes only recognize our yearning when inspiration shows up. Humans are unique in their own way. We have different feelings, attitudes, personalities, beliefs and understandings. Only you can describe the feelings for their inspiration and no other person in this planet can, because only one can tell that we have been touched though may show through our facial expressions but only us can tell how passionate that feeling is. There are arts that do not tell the whole story but when you sit down in front of it, it will speak to you and will be completely transported to the experience of that moment. A piece that says more than a thousand words at the same time leaves you speechless. An art is literally about love not some words without meaning. A love that leaves an art with value beyond the reality that makes the viewer of the art a part of it. Some works may not move you even if you appreciate them because each individual has their own preference.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.