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Discursive scenarios are a research project on creative theory as well as critical discourses in modern performance practices in Madrid. The project was conceived by Ana Marta Vujanovic and Popivoda as section of the residency plan 2011-2012 in El Ranchito Matadero Madrid. The steadicam stabilizer authors aren’t thought to be a “cultural maps making specialists” that come to Madrid to investigate the scene. Rather, they define themselves as “outsiders” to the Madrid world, because they have a theoretical link or perhaps a political position about it. So what exactly is really anticipated that this project provides to give an understanding look as well as difficult, not affected by their relational groups, their clans or their criteria. What’s more, the strategy used, based on the accounts (such as lectures as well as interviews with stars from the local scene) serves video camera dolly tracks as a tool to think again about the very context of the writers and ideas that they operate normally. The final phase of the research takes the form of laboratory per week, coordinated by the working group: Ana Vujanovic, Marta Popivoda, Catarina Saraiva, Naverán Elizabeth, Victoria Pérez Royo. The laboratory requires the starting of the project such as, first, new companions as well as individuals and, on the other hand, publicizing study in the context of the city of Madrid. The purpose is to market a collective essential self-reflection concerning the current situation and future prospects, which the issues elevated in the laboratory, even though from a very particular situation of context, can be extrapolated and believed in relation other local scenes as part of neo-liberal capitalist society, share the same hurdles and problems of uncertainty. So the task can help you comprehend various local scenes through a larger story, recognized in the variety of voices. Line Leak is a task of research, track slider collaboration and creation between performers and professionals from Spain, Portugal and also Italy. Developed in the industry of Master Performing and Visual Culture Practices of the University of Alcala de Henares intends to question the present dominating types of development, creation as well as demonstration of dramatic works by placing a central question: is it possible to create the same and healthy dialogue in between developer and artist? Taking like a time frame Rhizome theory, talked about and created by Deleuze and Guattari, Line Leak proposed a routine of four small studies and creative techniques in different spaces in the neighborhood of Lavapies. Line Leak is a number of by a programmer as well as five artists who created their designs in accordance with their very own personal emergency yet assuming polyphonic collective awareness, so to collaborate in the development of a drama programming. Apart from this core group of artists the project is accompanied by a second group of experts, additionally they experts in the sector, hand held camera stabilizer which assume a spectator role “qualified”, mindful and involved in the interrogation of the entire task, its limitations and opportunities. Ratline to set up a network, promote curiosity and challenge routines and prejudices permitting the joint construction of a schedule where it is noticeable the research effort suggested by the initial question. Over seven glide gear months of research and development they created monthly conferences, hours or days, and three residences of representation and creation where the auditors of the project might be present, the core group along with a group of experts.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.