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Javier Duero

Javier Duero is definitely an independent curator and also cultural producer. He has been creative director (2005-2007) of the Observatory, Festival of Artistic Investigation of Valencia, AVAM advisor Associated Visual Artists of Madrid and associate of Technical steadicam stabilizer Committee Print, International Fair of Contemporary Art and Publishing. In 2008 he was head of the department of Medialab Prado AVLAB along with 2009 was chosen as commissioner of the program ARCOmadrid Performing Los Angeles. Jury has been advisor of the department of Art Haute Ecole HEAD Action D’Art et de Design in Geneva. In 2010 he was invited to take part in the project file Creators of Contemporary Creation Centre Matadero. Mapping is currently complementing Madrid, a research project commissioned by the Art Center CA2M Dos de Mayo, on the cultural field of the Community of Madrid and has served on the curatorial committee JUSTMAD Art Fair 2011. Since 2008 a member of Pensart, cultural organization formed by a group of experts of modern art, art training as well as social action that perform cultural mediation methods. Throughout video camera dolly tracks several months of 2008, a group of visual artists living in Madrid made, occasionally, runs into that have a small market, themselves, the results of their creative and intellectual work. The meetings are a pedagogical exercise which takes place in an atmosphere free from outside pressure. Thus, the conventional institutional and curatorial filters off, that operates as a laboratory atmosphere where believed and pure action horizontally going around and non-hierarchical. The group is conscious from the first moment of the historical issues that the art group of Madrid has had on access to resources and means of production and, above all, a physical space to work. Them automatically arises the need to break that powerful squeezing the younger artists in a region that, paradoxically, carries a high GDP. Many industries have benefited locals during the past growing season with a policy mix of economic and demographic expansion and taxation favorecedera, track slider all framed in a neo-liberal strategy. Within the cultural sphere and more specifically in the visual arts sector, public investment devoted to training, research and production has been clearly insufficient. Despite substantial economic resources devoted to the promotion and dissemination of culture, especially through large exhibition projects and events, both the visibility of our artists and creators as the influence that Madrid should have in other European countries and in international cultural forums does not correspond to its demographic, economic and institutional. Ship of Music is the new equipment that Matadero Madrid and Red Bull are at the service of the arts community and citizenship through a collaboration of three years. This multidisciplinary creative space, whose backbone is the music creation and hand held camera stabilizer sound and aesthetic relations with the visual arts, architecture and literature, will be devoted to training, residential, and outreach activities. The Red Bull Music Academy, held from October 23 to November 25, was the inaugural project of the Ship of Music. The architectural design of equipment has been done by the architectural firm Langarita-Navarro and art project curated by Pensart. The Noise of Bubbles is presented as an art circuit inside the Ship of Music, with a selection of 18 projects by emerging artists that establish a route, in which some of the works have been produced specifically for the exhibition . The artists work in the context of the research process that makes your project, formalizing its presentation in parts drawing, collage, installation, glide gear photography, sculpture, performance and intervention in public space. Showing work in small and medium scale, presented in an innovative way, with emphasis on dialogue with architectural space designed for the Academy of Music.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.