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Musica

Musicals are the trend nowadays. It is not unusual if we give some thought to the huge impact that some track slider programs such as Fame Academy or X Factor have held. Madrid introduces the new Autumn Musical Season, with a number of production for all the preferences. Among the most anticipated musicals, they revived Grease, High School Musical – which jumps back from the small screen to the stage, Beauty and the Beast and Anonymous Lovers. This year, citizens of Madrid and its guests will experience the best steadicam stabilizer entertainment activities with the sound of the best rhythms. Beauty and The Best. Beauty and the Beast load up the Spanish theatres since 2007. This show would definitely stay for 6 months in the Coliseum Theatre and now it has been extended one more season. This stunning video camera dolly tracks musical became one of the favourites among the Spanish masses. This Disney classic has sailed to one hundred fifteen cities all over the world and it has been viewed by more than thirty million people. In New York it has been continously represented since 1994! High School Musical. On the twenty fifth of September, the Lope de Vega Theatre introduced one of the most anticipated musicals among the the teenagers, High School Musical. This musical’s achievement is because of the big impact that the TV show and the two movies have had on the press. This great scene joins the songs and the choreographies of the movies and features two new unpublished songs using a hand held camera stabilizer. Understand the value of the friendship and the acceptance with the High Scool Musical guys! Grease You can witness the Grease musical in the Nuevo Alcala Theatre since the last 20th September. This is a version of the outstanding movie -led by John Travolta and by Olivia Newton-John. The Spanish version is dedicated to the Broadway’s original musical. So, they have a similar set layout, the same dialogues and the same songs. Thus, the Spanish hosting is influenced by the original glide gear musical, which has earned twelve Tony awards. Some artists as vital as Coco Comin, Ricard Reguant or Manu Guiz, come together in this lovely show. Anonymous Lovers. The next 2nd October the Spanish musical Anonymous Lovers will launch for the first time. This musical combines the greatest Spanish comdey and the couplet. It tells a tale about love and hate with the best Spanish humour. This musical comedy centers around a group of ten individuals who met in a rehab to cleanse love using the Spanish couplet. Undeniably it will be a new box-office hit! Beatles, La leyenda. This musical is to honor the Liverpool’s well-known band, The Beatles. A huge band performs their best songs while a number of dancers dancing their heart out in the stage. On top of that, a speaker performs a chronological journey through the most popular songs of the band. Cómeme el Coco, negro. The Catalan company La Cubana celebrates it 25 years with the revival of one of it most important spectacles. In 1989 La Cubana played “Comeme el Coco, Negro” to do a tribute to all the theatres companies and especially to the Music-Hall gender. This hilarious musical is full of surprises and it has a secret that you have to discover.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.