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Plaza Matadero

The permanent set of parallels between the movements and transformations of cultural and social spheres of our cities and architectural forms as a response to such alteration system and fit, we suggest an ongoing dialogue between the terms of the social world and architecture as steadicam stabilizer the setting for such transformations. Built on a daily dialogue, which follows the pulse of the permanent incorporation of new needs, suggesting architecture destined to become a sounding board and respond to such problems. Architecture and society, time and architectural responses seem to build a permanent link, rooted in change and transmutation, but bound in mutual dependence. Architecture is not dudad one of the most important cultural events of our society, an expression that speaks and has the manners and ways of living of an entire society, its aspirations, and interaction, therefore, beyond their natural presence and response system and solution, plays a fundamental role of cultural evidence, symptomatic manifestation of a culture of dwelling. They held festivals in the plaza to celebrate the most efficient means of transport, clean and fun. There will be concerts for all ages, and a very special Minimúsica for children with Russian Red, La Bien Querida and Marguerite, Bike-Polo tournaments, exhibitions, BMX, exhibition and sale of books, clothing, gear or supplements video camera dolly tracks and for the bike. In addition, slow races, food, drink, an exhibition, bikes at your disposal if you do not bring yours and maintenance tips if you bring. It will be a party with space for reflection with the screening of documentaries and participatory tables to share knowledge on a more sustainable mobility. In the center of the plaza is a monument to Spanish novelist, poet and playwright Miguel de Cervantes Saavedra, designed by architects Rafael Martínez Zapatero and Pedro Muguruza and sculptor Lorenzo Coullaut Valera. Most of the monument was built between 1925 and 1930. It was finished between 1956 and 1957 by Federico Coullaut-Valera Mendigutia, the son of the original sculptor. The tower portion of the monument includes a stone sculpture of Cervantes, which overlooks bronze sculptures of Don Quixote and Sancho Panza. Next to track slider the tower, there are two stone representations of Don Quixote’s “true love”, one as the simple peasant woman Aldonza Lorenzo, and one as the beautiful, imaginary Dulcinea del Toboso. Adjacent to the plaza are two of the tallest buildings in Madrid, the 142 m (466 ft) Torre de Madrid (“Madrid Tower”), built in 1957 and the 117 m (384 ft) tall Edificio España (“Spain Building”), built in 1953. The central design is a space dedicated exclusively to design the service of Madrid and its people, which hand held camera stabilizer leads to all sorts of projects related to graphic design , Industrial and interior . Slaughterhouse has since November 2007 with a reference space for the dissemination and promotion of design, conceived as a discipline equidistant between economics and culture: graphic design , product design and design of spaces , understood from the perspective of a cross-culture able to enter values creative economic activity. Designed as an integral piece, the central design aspects ranging from experienced to training activities, dissemination and everyday creativity, becoming a powerful generator of internal and external services in the whole of Matadero Madrid. The center, managed by the Foundation Design Madrid promoted by the Madrid Designers Association, intended as a reference for the sector at national and international levels. The space of glide gear the Central Design, temporarily located in the vessel 17 has been restored by the architect José Antonio García Roldán . The logo image disclose Matadero Madrid, created by a team of top designers, was the first fruit of collaboration between the Design Centre and the city of Madrid.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.