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Primoz Bizdak

The month of photography was formally launched PHotoEspaña features a second stop: MadridFoto, the fair honors its fourth edition and has changed schedules www.lovefrozenyogurtfranchise.com this year to participate in the special event of photography that consists of the festival. 30 Spanish as well as foreign exhibits have filled the Nave 16 Matadero Madrid (and thisis completely new, in earlier calls the show happened in IFEMA or in the Palais des Sports) to show the most effective parts of the photographers they work. They have all made an effort and also galleries have preferred for quality and it shows. MadridFoto this year is smaller, with below 8 galleries a year ago, but international, with froyo franchise 13 foreign which many frequent. This is the situation of Duncan Miller of Los Angeles, or Carlos Carvalho of Lisbon, and this is great since it indicates they have made good connections here” says Speranza. Well conscious also of the slowdown and the slowdown endured by the modern art market in Spain for ARCO, part prices are inexpensive and very concentrated on sales. can discover pictures from 400 to 20,000 euros. In the walk through the stands of the gallery highlights the Max Estrella has opted for the young self-serve frozen yogurt shop Slovenian Primoz Bizjak who devotes a little space but beware, the part of Alfredo Jaar opens the Olive Araunah, where there is also an image of Shell Prada of its series, The Tale of the milk, and a photocollage Italians Botto e Bruno, a large photograph of Daniel Blaufuks belonging to his latest work, in the Portuguese Carlos Carvalho , the only neighboring country, “my colleagues have chosen This year insurance markets such as Dubai or Argentina, says the gallery owner who comes to MadridFoto from its origin, which also shows one of the extremely well-known portraits of Roland Fischer and a great photograph of Javier Nunez Gasco, winner of the Photography Biennial Purification Garcia, 2011. Fúcares, Pilar Serra and District 4, almost frozen yogurt equipment and supplies straight, half way mark, with stands very much in their regular customers where we have chosen the best from each house, among others, Rubén Ramos Balsa, recently awarded by Fundación María José Jove, in the first, Jose Manuel Ballester in Pilar Serra and Alexander Apostol in District 4. From here the show opens to a small botanical garden (with plants native to the banks of the Manzanares, near Matadero) which leads to what could be the second part, the ship itself is an almost symmetrical double space. Space Minimum bid for Dutch Erwin Olaf (with whom he won at ARCO) and Advance by Mexican Luis Oswaldo Ruiz and Miguel Rael young Murcia. The two galleries of Havana are also here. As Tagomago, which has opted for a thematic stand where the car is the star: vintage photographs of old cars shared wall with the Mini (2009) Nick Veasey English, for example. Case is also the stand of Duncan Miller, who has filled the walls with the faces best known U.S. icons like James Dean or Marilyn Monroe. A journey that the Madrid architect Andrés Jaque has worked out very well, turning 16 in a Spaceship fair transparent and friendly for walks and, on the other hand, has not lost its essence. A chill-out and bar sponsored by Heineken are the meeting yogurt in love point of a show that searches your site, and now more than ever, to resist. And that, surely, the organizers of MadridFoto, ArtFairs company, have announced that JustMadrid, the emerging art fair for three years held coinciding with ARCO, to open in December based in Miami, away from Miami ArtBasel and as many moving to what appears to be the new capital of contemporary art.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.