Roman Signer is one of the most important Swiss microdermabrasion machine artist of the present generation though he says that “As an artist, I hope I’m not completely out of date”. Roman Signer was born on 1938 in Appenzell, Switzerland. He currently resides at St. Gallen. His exhibition schedule includes several of the most essential art museums and events such as Documenta in Kassel, Venice Biennale, Ozone Generator, Walker Art Center and Hamburger Kunsthalle. His art work viewer said that he looks like a magician’s apprentice in each of his videos and installation; he takes the artistic act as predominantly experimental, involving ideas of contingency and unpredictable outcome. His piece was an image that ranges from the feeling of ridiculousness, violence, and melancholy but which in turn displays ozone air purifier energy and amazing innocent humor and with confusing simplicity. He was said to be a little wild man lives outside all moved by action and freedom. He lived in part of Europe which he had a devastating observations from long hikes through the mountains with his father. They had games with different metal objects that were given to him by his grandfather, the explosives of his uncle which he tried to discover. He has always been curious and a dreamer, he’s unconscious when facing risk. According to the artist when he starts with filming when he was a child, he doesn’t know anything about cinema he just bought a super 8 and a projector, the first things he have recorded ware the exploding ozone generators which for him had a sculptural value. He considers the silence after an explosion an art, something huge and scary. His background is a sculptor but he considers himself as a scientist and adventurer. The positive energy in elements such as water, air, and fire are atmosphere, force, and energy is the center of their work. He wanted stuffs with multiple functions, the possibilities that offered much although not in the sense of found art of Duchamp. When he’s done with his art work he doesn’t present the object to public and say that it is an art. In his way, objects have always been functional and have a close relationship with him. The 10 films in 16mm also have special relationship with him and it’s a new operation in the space of Matadero Madrid. His previous works with large facility that dealt with fire, rockets and explosions that was his 10 previous works, it was the fact that the space of Matadero Madrid burned in fire that led him thinking of it. This variety have focused on jobs that are related to fire, which must be appreciated as an artist’s reaction to the uniqueness of the works, that is the occurrence of traces of a fire that takes place in the past.