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Yproducciones

An event to celebrate a means of environmentally friendly transport such as cycling can not ignore the children. Within lal Festibal with Bike B did stop in Madrid activities Minimúsica , a collective from Barcelona who wants to dispel the notion of children’s music as a label. To call it www.lovefrozenyogurtfranchise.com all sorts of groups, many completely away from the concept of entertainment for children, and invite them to present a show for them. Was held at the slaughterhouse, with the participation of Russian Red, La Bien Querida and Prisma in Flames and production was up to us. A morning of holiday most enjoyable. The second edition of the Flamenco Festival of Short Films, FFLAC 2011, for which 35 productions have been selected unpublished, will be held between Thursday and Sunday at the Cinematheque of the ships of Matadero Madrid. The selected productions, including shorts and documentaries, come from Turkey, Singapore, Canada, USA and Slovakia, along with domestic production, make the countries in which flamenco has a visual depth. The four best short froyo franchise films will compete for prizes with monetary value, in which participates the Andalusian Institute of Flamenco. Moreover, among the awards specified in this edition are participating in a formal training course to the director of Best Documentary, FFLAC new category, awarded by the School of Cinema and Audiovisual self-serve frozen yogurt shop of the Community of Madrid, ECAM. In addition, the entire audiovisual work, shall be eligible for other awards granted by training some of the film schools in Madrid and The Central Cinema, which will reward the best performers male and female short flamingos, and the Script Factory, will offer a course in winning short film script to FFLAC 2011. New this year the festival will award a prize for each of the seven festival awards whose unique design is signed by the prestigious Sevillian artist Rafael Alvarez. 2011 has also become FFLAC actions that reinforce the purpose of being a meeting point between professionals frozen yogurt equipment and supplies of flamenco and the audiovisual world. Are scheduled for this purpose a series of parallel activities as “documentary and short film Meeting flamenco” with speakers music producer Ricardo Pachón, Saura Medrano, filmmaker Marco Aguilar and the young filmmaker Monica Moon Argentina Bramucci, among others. With the aim of bringing filmmakers to market production, it creates “IN Production Process” as yogurt in love a matter of international directors will present their projects in production and allow the audience to know their challenges and objectives in difficult task of bringing forward the Flemish audiovisual works and thematically.

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Matadero Madrid

Matadero Madrid, the project promoted by the City Council of Madrid’s Department of the Arts is managed by the Directorate General for Cultural Projects track slider through Matadero Madrid’s coordination team in cooperation with other private and public organizations. The name is taken from the space; Matadero Madrid is based in an old slaughterhouse in Madrid’s Arganzuela district. It has been converted into an arts center and is an active, ever-changing space at the service of the creative processes, participatory artistic training and discourse between the video camera dolly tracks arts. Its purpose is to further consideration on the contemporary sociocultural environment and support processes to create the culture of today and tomorrow. It is a unique laboratory for experimentation and furthering new cross-disciplinary glide gear formulae. The namesake and the home of the Matadero Madrid was built on the 21st of June 1911. The construction of the slaughterhouse or the “matadero” in Spanish and livestock market, marked one of the most singular industrial hand held camera stabilizer establishments in 20th century Madrileño architecture. The structure was designed around a complex of pavilions typified by functionality, constructive sensibility, and simplicity of concept. It however, also features a certain historic element, certain Neo-Mudéjar characteristics, such as tiles with abstract designs. Until 1996, the complex was used as a slaughterhouse. The Madrid City Council decide to convert the steadicam stabilizer space into what it is today at the turn of the new century. In accord with its experimental purpose, the renovation work has been established through a newly added, adaptable, and reversible architecture that employs industrial materials that blends easily with the site’s character. In doing so, Matadero itself has become a chance to experiment with the city of Madrid’s changing architecture. Matadero Madrid has accepted the task of integrating restoration work with cultural activity and public access in a pledge to getting the public involved in its development. This commitment has been kept up and extended, while always holding fast to the main lines of the project, including artistic production and experimentation, dissemination and exhibition, and training and research. Matadero Madrid embarks on this work with the highest respect for the inherited industrial legacy and with its attention focused on the surrounding neighborhoods and the city of Madrid without losing sight of the international scene. The incentive of contemporary artistic creation is an essential part of Matadero Madrid’s mission, and this continuously comes with a multi-disciplinary, hybridized, and revolutionary perspective which leaves room for all modes of artistic expression: the visual arts, reading and literature, the performing arts, film, music, design, architecture, urban planning, and landscaping. From this perspective, the participation of the city’s main agents and institutions that work in diverse fields of cultural creation has been, and goes on to be, fundamental. This commitment has helped us to produce a model of institutional, public, and private cooperation that makes possible society’s involvement in the project and assures the project’s plurality, autonomy, and feasibility.